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<!--Generated by Squarespace Site Server v5.5.4 (http://www.squarespace.com/) on Sat, 04 Jul 2009 08:43:30 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>H_NGM_N #5</title><link>http://www.h-ngm-n.com/h_ngm_n-5/</link><description></description><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.5.4 (http://www.squarespace.com/)</generator><item><title>portfolio</title><dc:creator>H_NGM_N</dc:creator><pubDate>Thu, 27 Mar 2008 18:25:50 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/portfolio.html</link><guid isPermaLink="false">64978:560029:1719025</guid><description><![CDATA[-
]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-1719025.xml</wfw:commentRss></item><item><title>SOME GRAPHIC SENTENCES by Michael Donnelly.</title><category>9. Comix</category><dc:creator>H_NGM_N</dc:creator><pubDate>Fri, 21 Jul 2006 01:38:31 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/some-graphic-sentences-by-michael-donnelly.html</link><guid isPermaLink="false">64978:560029:595939</guid><description><![CDATA[<p align="center" style="text-align: center;"><span class="full-image-float-none"><img src="http://www.h-ngm-n.com/storage/donnelly/cigarrette.jpg" alt="cigarrette.jpg" /></span></p><p align="center" style="text-align: center;">&nbsp;</p><p align="center" style="text-align: center;">&nbsp;</p><p align="center" style="text-align: center;"><span class="full-image-float-none"><img src="http://www.h-ngm-n.com/storage/donnelly/coffee.jpg" alt="coffee.jpg" /></span>&nbsp;</p><p align="center" style="text-align: center;">&nbsp;</p><p align="center" style="text-align: center;">&nbsp;</p><div align="center" style="text-align: center;">&nbsp;<span class="full-image-float-none"><img src="http://www.h-ngm-n.com/storage/donnelly/roundish.jpg" alt="roundish.jpg" /></span></div><p>&nbsp;</p><p>&nbsp;</p>
]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-595939.xml</wfw:commentRss></item><item><title>Henry Samelson</title><category>8. Artist's Portfolio</category><dc:creator>H_NGM_N</dc:creator><pubDate>Fri, 21 Jul 2006 00:03:59 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/henry-samelson.html</link><guid isPermaLink="false">64978:560029:595877</guid><description><![CDATA[<P><object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,29,0" width="700" height="450"><param name="movie" value="http://hngmn.squarespace.com/storage/samelson/vfpg.swf?config=http://hngmn.squarespace.com/storage/samelson/samelson.txt" /><param name="quality" value="high" /><param name="menu" value="false" /><param name="wmode" value="" /><embed src="http://hngmn.squarespace.com/storage/samelson/vfpg.swf?config=http://hngmn.squarespace.com/storage/samelson/samelson.txt" wmode="" quality="high" menu="false" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" width="700" height="450"></embed></object> <br><br><strong>Artist&#8217;s Statement<br></strong><br>Samelson&#8217;s recent works are at once idiosyncratic and deeply engaged with the tradition of abstract painting. These works reflect his interests in emerging form, causation, physics, beauty, love, spirituality, the universe, god(s), cultural isolation, and related issues.</P>
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<P>In my daily routine, I think about how buildings and objects hold together. I am curious about how we define structure. Is it solid? Is it rigid? How does the law of entropy impact our concept of destruction? What represents “volatile” and “orderly”? I often imagine blown apart structures becoming reconstituted into a shape that maintains a different kind of structural integrity—one that is solid, but which does not adhere to known physics or the standards of conventional engineering. I also think about the relationship between construction and experience/memory. The idea that architectural style and composition reflects processes of thinking and synthesizing experience drives much of my work. I enjoy coming across examples of rough carpentry in my urban landscape, and thinking about how these constructions function as a diary of the lives of designers, laborers, financiers, etc. Along these lines, entropy functions not only as a law effecting the composition of matter, but also plays a role in restructuring or remixing memories, experience, and our interpretation of certain histories.<br><br></P>
]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-595877.xml</wfw:commentRss></item><item><title>Matt Dube on fiction chapbooks</title><category>7. Reviews</category><dc:creator>H_NGM_N</dc:creator><pubDate>Thu, 20 Jul 2006 15:23:50 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/matt-dube-on-fiction-chapbooks.html</link><guid isPermaLink="false">64978:560029:594968</guid><description><![CDATA[Matt Dube on fiction chapbooks]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-594968.xml</wfw:commentRss></item><item><title>Twilight Greenaway</title><category>1. Poems</category><dc:creator>H_NGM_N</dc:creator><pubDate>Wed, 19 Jul 2006 17:04:06 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/twilight-greenaway.html</link><guid isPermaLink="false">64978:560029:593711</guid><description><![CDATA[Twilight Greenaway]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-593711.xml</wfw:commentRss></item><item><title>Richard Scheiwe on CD Wright</title><category>7. Reviews</category><dc:creator>H_NGM_N</dc:creator><pubDate>Wed, 19 Jul 2006 16:53:25 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/richard-scheiwe-on-cd-wright.html</link><guid isPermaLink="false">64978:560029:593694</guid><description><![CDATA[Richard Scheiwe on CD Wright]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-593694.xml</wfw:commentRss></item><item><title>Pablo Peschiera on Sam Taylor</title><category>7. Reviews</category><dc:creator>H_NGM_N</dc:creator><pubDate>Wed, 19 Jul 2006 16:49:36 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/pablo-peschiera-on-sam-taylor.html</link><guid isPermaLink="false">64978:560029:593689</guid><description><![CDATA[Pablo Peschiera on Sam Taylor]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-593689.xml</wfw:commentRss></item><item><title>Nate Pritts on 5 chapbooks</title><category>7. Reviews</category><dc:creator>H_NGM_N</dc:creator><pubDate>Wed, 19 Jul 2006 16:43:51 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/nate-pritts-on-5-chapbooks.html</link><guid isPermaLink="false">64978:560029:593681</guid><description><![CDATA[Nate Pritts on 5 chapbooks]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-593681.xml</wfw:commentRss></item><item><title>Michael Broder on Matt Hart</title><category>7. Reviews</category><dc:creator>H_NGM_N</dc:creator><pubDate>Wed, 19 Jul 2006 16:39:42 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/michael-broder-on-matt-hart.html</link><guid isPermaLink="false">64978:560029:593670</guid><description><![CDATA[Michael Broder on Matt Hart]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-593670.xml</wfw:commentRss></item><item><title>Michael Broder on Ada Limon</title><category>7. Reviews</category><dc:creator>H_NGM_N</dc:creator><pubDate>Wed, 19 Jul 2006 16:35:16 +0000</pubDate><link>http://www.h-ngm-n.com/h_ngm_n-5/michael-broder-on-ada-limon.html</link><guid isPermaLink="false">64978:560029:593663</guid><description><![CDATA[Michael Broder on Ada Limon]]></description><wfw:commentRss>http://www.h-ngm-n.com/h_ngm_n-5/rss-comments-entry-593663.xml</wfw:commentRss></item></channel></rss>