Ashley Capps
ARS POETICA
There is a thing
some men will ache to do
and break themselves
against their lives and lovers, trying.
Women, too, have lost
their grip, having endeavored
or accomplished it. The devil
threads his needle,
and the string’s a river
fat with fish
that wanted other words for it.
BOTTLENECK
He is the carpenter and the cook.
What is she?
She talks too much.
She points out individual clouds
on the river’s surface. She walks
too slow. All the trees
stuck under the old train bridge
since last May’s flood won’t budge.
That shit aint going nowhere
without dynamite, he says, and spits. He knows
he talks like that. Rough, it is a way
of seeming reckless and indifferent.
It endears him to her, and she thinks
the river will fix itself.
PUBLIC, SCENIC
There is about to be a blizzard.
A helicopter is flying over.
A man is taking a woman’s picture
inside the gazebo,
saying, less prostitute, more
girlfriend-against-the-moonlight,
and she’s saying, I’m not
against moonlight, I’m all for it,
and he’s laughing hysterically
taking close-ups of her hair
which looks like a cloud
because of the snowflakes
sticking to it and everything else,
including the sign that says
this park is up for adoption
in case you’re interested,
but I wouldn’t adopt this park—
no one picks up the dog poop
and everything’s weird here,
even the rabbit in the snow
beneath the basketball goal,
looking at it like he’s contemplating
a shot.
These poems originally appeared in MISTAKING THE SEA FOR GREEN FIELDS (U of Akron P, 2006).
