Liz Countryman
STORY ARC
Knowing him made her
want to organize
herself
into narrative
coherence
because organized movement
like a storm system’s is
like water’s
loops—
masculine.
So the counters
got scrubbed
in the story
and his bags
aromatic, coherent.
The grey den wanted to be opened
to light, the light
in his bedroom
couldn’t reach even
his den.
The man the woman
adopted, cleaned,
thought:
I misplaced
an opening?
I can’t see
or tell the speed
past
or has the road’s
dirt stopped?
Maybe
to make
the past
dust shapely
hanging
in place
would be
(closet,
chimney!)
formal.
Each: I am both
painting of plains
and settled
dust
of closet.
He was
a house, she was
a car—
her body
could be driven.
And the mattress
around their minds was
a map’s
land
and ocean.
Who needs freedom—our
world’s room’s
warmth’s
press
calms.
The trees want
the wind laid
down on them like a heavy hand
to be relaxed
with force.
What is
my own mind,
wind
down
on my head?
Look at this
bigness,
look at all
this
mattress!
They lived. From then on,
each ate
but
didn’t
digest
dust. He dragged
a dark
reserve.
She was a helicopter
over their story.
